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“What could have done this?”
The biggest film in South Korea right now, Hope is a rollicking, monster-mashing thrill ride that marks the much anticipated return of Na Hong-jin, acclaimed director of The Wailing and The Chaser. Hope Harbor, a small town near the Korean demilitarised zone, has been devastated by something big. As seasoned police chief Beom-seok (Hwang Jung-min, The Wailing) investigates the path of destruction with rookie cop Sung-ae (Jung Ho-yeon, Squid Game), his cousin Sung-ki (Zo In-sung) leads an expedition into the forest to hunt down whatever is responsible. None are prepared for what they find.
“Uproarious rock’n’roll moviemaking ... mixing digital work with old-school analogue entertainment values, serving up a spectacle with cheeky touches of Spielberg, Walter Hill”
“Bold, provocative, and assured filmmaking that oscillates between moments of breathtaking cinematic prowess and satirical characterizations”
“Has a goofy, galumphing beauty; it’s a bigger, dumber, shinier object than its predecessors, yet it also manifests the crudely violent small-town comedy that is one of Na’s signatures”
Shrouded in the kind of awe-inspiring mystery that is so rare in blockbusters these days, Hope is a sci-fi thriller that takes the time to earn its big set pieces, then impressively executes its frenetic action with breathtaking camerawork, nail-biting suspense and truly gnarly degrees of carnage. In what is possibly South Korea’s most expensive film to date, Na Hong-jin plays with genre expectations to create a blockbuster experience that indulges in, defies and mocks nearly every convention in the book, and then some. An utterly exhilarating, quite funny and very weird time at the pictures – don’t forget the popcorn!