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“Why would I decieve you?”
Thirty-four days before she’s sent to prison, Elizabeth Holmes – notorious founder of the fraudulent blood-testing tech firm Theranos – invites a documentary crew to record her. Together with filmmaker Lance Oppenheim (Primetime, Some Kind of Heaven), Nathan Fielder (The Rehearsal, The Curse) spends every moment with the enigmatic felon and her partner Billy Evans, prying and probing for the whole truth they seem hesitant to reveal. What begins as an eerily intimate portrait soon evolves into a mind-bending three-year journey into the abyss.
“Not just the film of the year...stands shoulder-to-shoulder with the form’s all-time greats”
“Brilliant...movies don’t come much wilder”
“Not only the greatest movie of the year, but also the most essential”
You Can See Everything is one of the most remarkable documentary experiences of the year, hands down. The alchemy of the Oppenheim–Bolen visual styling, Fielder’s incisive persistence and such unfettered access to Holmes and Evans’ life is utterly captivating and unspeakably tense for reasons you can’t quite put your finger on. Nothing can prepare you for where this goes – it’s a must-see with a crowd.